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Installations

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Festivals and sacred places are the ideal setting for experiential installations. Viewers in these settings are already primed for non-ordinary experiences, so the defaults to critical distance are replaced by energized curiosity. I consider a project successful when people ask me "how did you make this?" because it means they understand that their awe and wonder is rooted in the material world. It means the sacred is accessible through the everyday. It means joy and connection are products of curiosity and creativity, not mediated solely through cults of expertise. All my installations aim to encourage people to "Pay attention. Be astonished. Tell about it" (Mary Oliver).

Tender Fire Studio is part concept, part my tiny basement apartment full of art supplies and very little furniture, and part shared workshop. I work, play, and love on land that was stolen from the Pocumtuc people, settled by colonizers, and continues to be sold for profit in the speculative real estate market for the enrichment and comfort of the owning class. Decolonizing my practice is an ongoing study of how I can be in right relationship to the land, animals, and plants of this place while embracing and acknowledging the often-scary precarity and vulnerability of a life given to the pursuit of soul and the sacred rather than the settler concepts of security and safety. I give thanks and praise to the rivers that form this Connecticut River valley, to these sand hills and the ants that dwell here and find my kitchen window so inviting, to the many birds and their dawn hymns, and to the forests: o the trees, the ferns, the damp stones and the deep deep woods, you are the mercy of the sacred in cellulose flesh.


Tender Fire Studio  @tenderfirestudio
tenderfirestudio@gmail.com
PO BOX 9359, North Amherst, MA 01059

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